Operatic thrillers and self-absorbed chamber works. Historical records and the latest versions of netlens. Beethoven’s Anniversary. This is an interesting climate in the academic recording of the winter-spring of this year.
I will say the banality that has already been imposed in my teeth: quarantine is a time to get acquainted with some “complex” art. Large-scale works, such as books of a thousand pages, operas of three hours, and so on. Personally, I have never really liked the Opera genre, but then I suddenly realized that if you listen carefully to a good production, it is as if it is visualized. In particular, today we will talk about such strong recordings of the Russian Opera school. Let’s start with one of the main Russian Opera composers — and his most complex and ambiguous work. Continue reading